Archive for March, 2010

Healing Music

Posted under: Entertainment, Music

You might be thinking as to how music can be used effectively for stress management. There are few basic principles that you should understand so as to tailor your favorite music for the purpose of stress management.

1. You should use your favorite category of music and in case you don’t like Mozart or classical music then don’t use it. Good and quality music can be found in most genre of music.

2. You should choose music that has pleasant associations for you or music that brings you cheerful memories.

3. If you want to try new music, then go for instrumental music tends that are more stress relieving than the music having lyrics because this doesn’t requires you t o think.

4. You should choose music that is slow and has regular pulse or beat. This is because researchers discovered that music with the tempo of healthy resting heartbeat will synchronize your own breathing and heart beat to it thereby slowing down your racing body rhythms.

5. Racing thoughts can often lead to anxious and stressed out feelings and for this you should use rhythms of slow music so as to slow down your body and thoughts.

Music is even used for surgery whereby surgeons listen to their favorite music while operating the people. This is because they know the power of music and the profound effect it has on their ability to focus and concentrate on their work. Surgeons listen to Mozart, Wagner, and Handel or sometimes, rock, jazz or pop and claim that they have more energy while music is being played.

Patient is not provided with music because it is the patient who is sleeping and is not able to hear music. But the fact is that music has tremendous benefits for the patient such as he needs fewer anesthesias, less anxiety before, less pain after, faster recovery, less time in the hospital and many more. Patient can hear music with the help of lightweight headphones.

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Chord Spelling

Posted under: Entertainment, Instrument

Understanding Chord Symbols
With the growing interest in Jazz and other forms of music, I find more and more people asking about chord symbols and chord construction. While there are many books out there on the market, there is very little explanation of how chords symbols are interpreted. I’d like to share some of my insight with all you music enthusiasts. In many song sheets chords are given for guitar or keyboard players. Functional names are not used for this purpose. Instead, the root and quality of the chord are given in what may be termed lead-sheet notation (for example, Amaj and F#dim7).
Chord symbols are made up of 3 component parts:
1. The ROOT
The alphabetical name of a chord.
i.e. A, Bb, G F# etc.
2. The Chord Type
Indicating either Major, minor, dominant, augmented or diminished.
3. The extension:
Tones added to the basic three note chord (triad) that changes its sound but not its type. Extensions are represented by scale step numbers    i.e. 9, 11, 13

Here are the basic chord types:
MAJOR    indicated by GMaj., GMa, GM or just G (Note: the capitol “M” is used to designate Major chords.) Major chords are sometimes written without chord type designation. Symbols are also used to designate Major chords i.e. , .

Minor        Indicated by Gmin., Gmi, Gm or G- (NOTE: The lower case “m” is used to designate minor chords).

Dominant 7    Indicated with only the root and extension numbers. Since some major chords and all dominant 7 chords can be written without chord type designations, the following will help you to distinguish between a major chord and a dominant chord: If the FIRST extension number following the root or letter name of the chord is 7 or greater, and it does not specifically state major or minor then it is a dominant chord.
EXAMPLE:     C7b5, C13, C9 and C7sus4 are all dominant chords, but Cm11 is a minor chord and CMaj.9 is a major chord.
If the FIRST extension number following the root or letter name of the chord is 6 or under, it is a major chord.
EXAMPLE: C6/9, C2, Csus4 are all major chords
Augmented
These are 3 note chords indicated by G aug, G+, or G#5
EXCEPTION: G+7 is always a dominant chord as is G7#5

Diminished
Indicated by G dim, Gdim7, or Gº, or Gº7

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